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Hand Printed Sarees

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Hand Printed Sarees

 

Manually printing textiles, not least saris, are as old as time in India. It is an art that hearkens back to the times of the Indus Valley civilization, when dyeing with the use of mordants made India a precocious culture.

Hand Printed Sarees may be printed on three materials, namely silk, crepe and chiffon. More often than not, these are hand-printed using vegetable dyes, with designs varying across regions.

All in all the possibilities of hand printed sarees verge on infinity. Techniques in the production of hand printed sarees may be any of direct printing, resist printing, and screen-printing.

Omnipresent in India, direct printing concerns a bleached cotton or silk fabric printed with the help of carved wooden blocks.

Special pens with dyes and mordants may also be used in the production of hand printed sarees in the method known as kalamkari, a pen work.

On the other hand, hand printed sarees may involve the batik technique, where the sari is painted with molten wax and then submerged in cold dyes after which the cloth is washed in hot water. As a result, the wax melts to reveal patterns.

Saree are also hand printed all over India by means of tie-and-dye. The tie-and-dye technique is done by knotting, binding, folding or sewing parts of the cloth so that the dye cannot penetrate these areas.

In any case, tie-and-dye techniques allocate squares in religiously significant multiples of 9,12 or 52. Bandhani is by far the most exemplary hand printed saree.

Dyeing the fabric in such a manner that many small resist-dyed spots produce elaborate patterns over the fabric creates this sari. They are available in two contrasting colors, with borders, end pieces and one or larger central medallion called a padma.

The Panetar sari is also of repute as a hand printed saree. Usually it flaunts red borders, central medallions and a white body, within which are regularly spaced red tie-dyed spots. The most famous of this type is the Gharchola, a traditional Hindu and Jain bridal sari.
 
But the Gharchola has nothing on the time and effort consumed to make a Patola. It entails as much as five color designs resist-dyed into both warp and weft threads before weaving.

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